I hadn’t planned to buy another tree this weekend but there were three that caught my eye. I waited until the rest of the guys had had their pick and two of them had gone. The one I preferred however, was still there!!
I have never owned a Juniperus Rigida, Temple Juniper before and fancied this one. I have had numerous other varieties of juniper over the years and to be honest, I sold most of them.
This one presented a new challenge for me. I have to get to know the variety and it’s habits. Peter was very clear about a few issues with the variety and I took these on board. What attracted me to this one? Well, the deadwood is beautiful and mostly natural. It was once a much bigger tree but now the majority of the trees foliage comes from one live vein. There is a smaller vein running up the back of the tree but this looks weak. I’ll wait and see how it progresses.




What amazed me most about this tree was just how hard the deadwood is. Even at the base, what looks soft and rotted is actually hard. Peter says that’s one of the reasons that this variety is used by the Japanese. They tend to avoid the soft wood trees, always thinking to the future of the tree.
All I’m going to do with this one is clean up the deadwood and define just where the live vein is at the back of the tree. I may give it a little lime sulphur but really want to keep the natural colour of the wood. I’ll feed it strongly and pop it into my poly tunnel. Conditions in there should be perfect. No styling work is planned until I get to know the tree.
This only means that the flower petals will fall. Left behind is usually the ovary and the stigma. Below you can see the same flower bud with the petals removed and the other bits, also including the stamen, remaining.
This is the part that must be removed to avoid the tree wasting energy in producing seed. This can be picked out with fingernails but it is best to remove with scissors as shown below by cutting through the pedicel or stock behind the pod.

Below is a typical sight on my satsuki at the moment. The petal has fallen and the pod with style and stigma is all that remains. Notice it is bigger than the one above already and is a slightly darker colour. Energy is being wasted.
Hope this helps explain the process. I’ll maybe add this as a permanent page on the blog somewhere for future reference.
and a slightly different angle.
One of the features I liked was the bottom branch on the smaller trunk. It has been styled as another apex. I had been looking at a few of these in a few photos online recently and I quite liked them, especially on pines. That helped seal the deal 🙂
The bark is great and a stronger red colour than I’m used to seeing. Peter is going to find out a little more about the tree from it’s previous owner. I love to know the full history. I think it’s important to keep the history with the tree.
It’s in an Ian Ballie Pot which I think suits the tree well, so unless I drop it off a bench, I’m happy to keep it as is.