True Bonsai Artisans

Artisan: ‘A worker in a skilled trade, especially one that involves making things by hand.’

Ryan and Chelsea Neil put everything on the line to make the Artisans Cup a success and I think they are true Artisans in every sense of the word. Both are skilled in their own way and together have pulled off the impossible, a truly original and innovative bonsai exhibition.

But…. It doesn’t stop here, oh no, they have yet again put together something totally original to follow on from the success of the exhibition. They have created a website that includes a ‘Retrospective Exhibit Pass for all those who attended and want to look back at the event, or in my case, for those who didn’t make it over and want to see more about the bonsai.

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Ryan was kind enough to allow me access to this for review purposes and I have taken full advantage of it!

OK, at this point some will see the $$$ sign and think what can be worth me spending $65 on? I’ll be honest, I thought the same. I have now waded through roughly half of the content over the last 2 days. No easy task as there must be in excess of 15 hours worth of content available. I can’t speak for everyone, but I can now state that it’s worth the money in my view. Let me explain why….

On entering the paid content area you get to view all the images of the exhibition trees nicely laid out which additional links for the other content.

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But this is the tip of the iceberg. By clicking on any tree it opens up a new page showing the tree in close up and offers 5 audio files to listen to from each of the judges! How did he manage to get them to do that!! Well done to all the judges for fitting this in on the day. I love watching tree critiques when visiting exhibitions and even watch dodgy camcorder ones on youtube for shows I can’t get to. This however takes it to a whole other level. A top quality image to study and not just one judge critique, but five! Even better, they don’t know what the other four judges have said, thus giving totally different points of view. Well, not totally different, but it was fascinating to listen to the differences of opinion regarding pot choice, accent selection or styling of any given tree.  Audio clips vary in length from 1 to 5 minutes usually giving a good 15 minutes of critique for each display. This concept if a fantastic tool for learning and I have no doubt that the exhibitors themselves will benefit greatly from this feedback.

Here’s a screen grab of what to expect.

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I’m roughly half way through the judges critiques and can’t help myself! I always say, “just one more then I’ll go and do something”. 🙂 The beauty of buying the site pass is that it’s for life. At any stage you can come back and dip into this knowledge base. I think there’s a few things that could be added to improve this portion of the pass content if we are aiming higher. I’d like to hear the thoughts on each display from the exhibitors as well. Some had text accompanying the information about the tree but it would be great to hear exactly what they were trying to achieve and compare that with what the judges conclusions were. I’m an accent guy and I’d also love the accents named as part of the info content. I also feel having the tree dimensions here as well would help give us some idea of the massive scale of many of the exhibits. Just my 2 cents worth (see what I did there, I used cents instead of pennies ;-))

So what else is on offer? You can also view video of all three panels held over the weekend.

The Judges panel has some very interesting views on how bonsai should be judged and an explanation of just how they made The Artisans Cup unbiased with their score system. With a few characters on the panel this was always going to be good viewing.

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The Creatives Panel has pulled together all the brains behind the event and is truly an eye opener to see the lengths that have been taken to create this exhibition.

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But the stand out Panel for me was the Founders Panel with Ryan and Chelsea. I’m not even an American and I took so much inspiration from what these two said and their approach to bonsai. To the extent that I have taken time today to sit down and think seriously where I want to go with bonsai, for myself as a hobby, and also promoting and teaching it here in Ireland. Some may roll their eyes at that statement but honestly, have you even sat and thought about what exactly it is you want from bonsai? Much of the other topics touched on in the panel would benefit bonsai worldwide, not just in America. Having watched this video I’ll give Ryan one piece of advice from one married man to another, Chelsea is right, do what she says. You can fight it, but you know you’ll do it in the end anyway 🙂

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Also available as part of the pass are some fantastic photographs from Chris Hornbecker capturing the essence of the show. This one was the stand out ones for me. Counting Peter Warren as a friend, I hope it’s mutual 😀 I thought this one said a lot about the atmosphere of the event.

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I hope you’ve found this review useful and perhaps put you in a better position to make a decision on the Retrospective Pass. You can also check out Jonas Dupuich’s Review over on Bonsai Tonight. He’s a lot more eloquent than I am. I normally keep text to a minimum on the blog and this post has given me a nose bleed 🙂 Only you can decide if the Retrospective Exhibit Pass is worth the money, I think it is, but that’s cheeky of me as I got a 7 day free pass to review it. However I’ll say this, when my 7 days are up I will feel a loss at not being able to go back into the pass area and peruse the audio critiques, I may have to stump up the funds and pay anyway, but perhaps not until I’ve bought the book.

Ryan, thanks for the opportunity and I can honestly say that I fully intend to be at the next Artisans Cup in New York in 2025. Keep me a seat.

I’m away now to listen to the rest of the critiques……

Noelanders Trophy 2016

Possibly the best photo taken over the whole weekend.  However, it’s obvious by looking at facebook and Instagram etc, that very few paid a blind bit of notice.

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I think I’ve probably seem the majority of trees exhibited on social media. Will this mean I won’t buy the book? No of course not. Did this impact numbers attending? Sure doesn’t look like it!

Anyway, if you want to see the winners check out this blog post over on Bonsai Empire. Another great post from Oscar.

A big well done to Warren Radford from the UK for being a joint winner this year. His tree shown below along with the tied for 1st tree from Luis Vallejo

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Some Day’s Are Made For Collecting

Managed to get out with Phil collecting yesterday and amazingly the sun came out!

To be honest the day was more about getting permissions to collect in place and preparing some trees for collection in a few years time, but it was a successful day all the same with a few new additions to the garden. We have a rather special Hawthorn site that we haven’t used for a few years. The owner has since passed away and we were seeking permission from the new owner. After calling and speaking to his wife we were hopeful of getting back on the site. I was then left a voice mail saying we couldn’t collect. We were gutted! 😦 Then today out of the blue, he rang back to say yes, collect away!!! 😀 I think in all my years collecting I’ve only been turned down once and that was a tree from a garden. I was really gutted to think we’d never get back on this special site. Being able to take your time collecting, being selective and legal is the only way to go.

In case you are wondering, these snaps are not the site 😉

Shohin Yew

Yes, another Yew, no fancy yamadori this time. I grew this one from a cutting!

This was it earlier in the year in a training pot.

While over at Bonsai Europa I fell in love with some of the great pots on the Sperling Keramic stand. I had never even heard of Sperling before! A very friendly service with some amazing pots. I picked up this little pot for another tree but wasn’t happy with the match so I’ve decided to use it for this little Yew.

This is it just potted up. A thinning out required this year and some extra shari work.

This was the tree back in 2011 after initial styling.

A few other pots from Sperling Keramic in case you want to see what else came back to Northern Ireland.

Hawthorn – Initial Styling

A totally raw Hawthorn from the sales bench taking it’s first steps.

First Snow of Winter

Today saw me waking up to a light dusting of snow. Nice to see a cold snap for a few days, the trees could do with it, just let it be short lived. I took a few quick snaps before the thaw.

Chuhin Yew – Time for a Change

I’ve had this little Yew since 2002 when I bought it as raw material. That said, it was in this pot even then. I love the pot, Ian Baillie only makes good ones but after all this time I felt either the tree had outgrown the pot or I just needed a change.

This is it in the old pot.

And this is it’s new home for the next few years. A nice Japanese pot I picked up with a bit of age about it.. It’s perhaps a little big but the tree could do with a few years of freer root growth as I will now spend a little more time on improving the overall image of the tree.

This was it back in 2003 as raw yamadori material. It’s come a long way but probably has as far to go again!

Shohin Chinese Juniper

I got this little Chinese Juniper in 2010 from a great chap called Bob Snaith.He was clearing out his collection and I got this one at a great price. He supplied me with the first photo below. He’d bought the tree from a chap called Micky Paice who had bought it from Windybank Bonsai back in 1999. Always nice to know the provenance of a tree.

This was it in 2010 as I bought it.

I repotted it and let it sit for a year to gain strength. I then explored the idea of chopping it back to the first branch as I didn’t particularly like the contrived trunk line.

Decision made.

This was it repotted into a smaller pot the following Spring 2012 I think.

It’s been tweaked a few times since then but a few weeks ago I decided to fine wire it and transfer it into a new pot I picked up at Bonsai Europa. This is it prior to wiring.

 

And afterwards

The new pot and chop mark, Yamaaki.

and now after repotting and a new coat of jin seal applied.

Korean Hornbeam – Changes

I’ve had this Korean Hornbeam for 5 years now. This was how it looked back in July 2010. It was weak and had suffered for a few years and lost a lot of branches. It took 2 seasons to get it on track and build up some ramification.

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This was it in 2013

And here in December 2014.

At this point I decided to make a few changes. Both trunks were parallel to each other in the pot creating a very flat image. The main trunk lacked taper along the last portion of the trunk line and about 2 inches from the top is a swelling that looked ugly and was only going to get worse with age. I opted to layer the top off the main trunk to create a little multi-trunk shohin tree for the future. I also decided that I’d change the front of the tree to offset the two trunk creating more depth.

Below is the tree in December 2015 after the layer was removed. I had give the tree free growth for the year to give me a few more options when thinning out the branches.

This was to be the new angle for the front. I’d lose a little of the width of the base but give the tree a little more character and depth, hard to see that in a photo of course!

I trimmed back unwanted branches and pruned out a few area that had become too heavy.

I then wired out the branch structure creating the basics of two new apexes and got rid of a lot of clutter and crossing branches.

If we are making changes to the front, I might as well repot it. I had a Sylvia Webber pot on the shelf that I love and was itching to use again. I think that’s who the potter is anyway, perhaps someone can confirm from the chop mark below. Is she still making pots? I got this back in 2003.

I transferred the tree over adjusting for the new angle. The pot is perhaps a little shallow looking for such a heavy trunk, but I like it. I was also able to remove an ugly root at the back as a bonus. It’s hard to tell just how much better the image is in a photo, especially as the old front looked good in a photo and this photo isn’t great but trust me, I’m a lot happier with where this tree is going in the years to come. Double the current ramification and I think we have a nice tree in the making. That’s what I love about working on Deciduous trees, there’s no quick image to be had like a conifer, the work has to be done year on year to create a descent bonsai.

Trident Maple Adjustments

Looking at the branch structure of these two Trident Maples I decided to make a few adjustment especially in the lower branches.

A hidden adjustment on the Root over rock is a branch that was previously lying on the top of the rock to the left. This has now been dropped to the back and when in leaf will help add to the depth of the image. With a little work this year and a new pot, perhaps this is an option for Europa 2017 😉

As you can see I have gone through a major Walsall Ceramics faze in recent years 🙂