Another Larch Initial Styling

This one was interesting to do.

Before

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After

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Stephen’s Larch Restyle

After getting my own larch sorted out, attention turned to Stephen’s one.

This is it sitting at Stephen’s house. When we worked it out, it hasn’t been wired in 8 years. The last styling was done by Marco Invernizzi back in 2004.

Photos from then can be viewed here.

It’s a big tree and we wanted to try and complete the wiring in one day. Phil collected the tree in his van and we transported it to my garage for a little space to work in. Stephen’s bonsai studio was only build for hobbits and I’m definitely not that size 🙂 This it is photographed before we started.

About now you are probably having a close look at the base of the tree. Yes, it’s a strange one, it’s hard to see but there is a strong root that runs directly under the trunk lying parallel to the ground. This will be exposed to help show stability. There is another option, but that’s for another day!

The three of us got to work and managed to get the wiring completed.

One area that was a problem was the apex. It had been created from a single branch curled around to make it look fuller at the time. 8 years on this has become a problem. It could have been hidden by placing branches over the offending bits but could not be removed totally and make a convincing apex. We discussed it and Phil was keen to make a change rather that it becoming progressively worse with time. He came up with an option and Stephen decided to go for it.

This is the offending apex.

Branch being reduced.

Keep an eye on him Stephen 🙂

A typical Stephen Coffee break.

Birds eye view.

Final tweaks

The final image. Stephen is considering a change to the top jin, what do you think? Remove, leave, shorten?

The new apex looks a great improvement.

A closer look at the base.

Side view

Back

Before and after side by side.

The 3 amigos for scale, and just for fun.

We did this work without looking back to Marco’s styling in 2004. It was interesting to compare now having looked for the original photo.

Tall Larch Restyling

I eventually got around to wiring up this larch yesterday. This is it before work.

This tree has fantastic old bark, as good as I’ve seen on a larch. It originated in Scotland and I’ve had it in my collection for many years. It’s not a WOW! tree by any means but I do like the formal image that can be produced from it. It got a year of little or no pruning to allow me to have some extra length to the branches that I could play with to increase the amount of different levels I could create.

In the 18 years that I’ve been playing with bonsai I have been using aluminium wire. This year I’ve gathered up enough copper to give it a go on my conifers. Yesterdays wiring saw me using only copper wire.

The final image saw me adjust the front slightly to the right.

For scale, I added myself to the image.

Side by side

Back in 2002

The bark

2003

Spring 2012

Other images here

Yew Two

The second yew styled was also on the ‘to go’ bench. I can’t even remember where this one came from, possibly a club auction many years ago.

It had previous been styled by someone but not very well. It had also been very weak. It was now back to full health but the manufactured ‘s’  bend on the trunk was terrible to look at and the foliage was far removed from the best feature, the base of the tree. I wanted to bring the two together to make a more compact and interesting tree.

This the after image. I applied raffia to the upper trunk and bent it down making more convincing movement bringing all the areas of interest closer the the best part of the tree, the lower trunk. The jin to the left needs to be reduced but is currently acting as a wire anchor point. With some back budding and a little more refinement, this is going to be a rather nice tree with interesting trunk movement. The jin can be extended into a shari down into the lower trunk making a nice feature and perhaps even extended along the upper trunk to link up with the small jin there.

Little JWP

Alan, a relative club newbee, emailed me a few days ago asking if I could have a look at a Japanese White Pine for him. I am bored out of my head not being able to do much with my dodgy shoulder. I was delighted to have him down on Friday afternoon.

This is the Pine he brought, a typical JWP that you see on the market.  Bought 2 years ago by Alan’s good lady wife as a present.

He has done a great job in keeping it healthy. Too much rain here in the UK to be ideal for JWP which I find like it on the dryer side. The growth was too strong at the apex and weaker on the lower half of the tree. A common fault when the owner doesn’t know the correct steps to take to balance the growth. I decided to make an afternoon of it and help Alan do two things. Learn about Pines and JWP in particular and learn how to set about evaluating a tree before styling.

We must have spent an hour talking through the needs of a pine and what we need to do at different points to achieve results, and also why it actually works!

I have a particular process that I try and teach beginners to follow when evaluating a tree. This was drilled into me years a go by Robert Porch, one of the most underrated bonsai artists in the UK. I have adapted it for my own needs and have probably missed some important steps in the process! I’ve never put this in writing but some might find this of interest. Aspects of it can also be applied to tree critiques and judging.

#1 When you look at a tree, even if it’s one of your own and you’ve had it for years, try and look at it with fresh eyes every time. Hard with your own trees I know, but how many times have you looked at trees at a show and just whizzed past not really taking in the image and missing learning opportunities.

#2 When you look at the tree decide what it is that first catches your eye. Is it a positive or a negative feature in your opinion. Where does your eye go from there? Is your overall opinion of the tree good or bad.

#3 look through the tree from it’s ‘front’ as displayed. Assess what good points the tree has. Always be positive when possible, especially when publicly critiquing a tree. Anyone can poke holes in a trees design, for some, that’s all they do!!

#4 Now do it again but looking for negatives. Make sure you assess the pot during this process. If you don’t like it, why? What pot would you put it in?

[Points 1-4 can also be done when looking at photos of bonsai in books or on screen, never just flick on to the next image without evaluating how it was done.]

#5 If you are offering advice on styling options, now is the time to look for other options in the tree. Spin the tree around on a turntable, and using the points above, select alternate fronts. This can be fun to do in a group. Make everyone mark their front with a piece of wire stuck in the pot. At the end each person has to explain why they picked that front. This can be entertaining 🙂 Always remember that the tree can be tilted etc, you are not stuck with it’s current position or style in any way.

#6 Having made several front selections, work through each one to assess which one is the best option. How many positives does each option have and how can you show these off? How many negatives is there and can these be removed hidden or even ignored?

#7 Most important, if it’s not your tree, then remember the owner is fully entitled to their opinion and to chose the option that suits them best.

#8 You should now have a clearer idea of where to go with the tree but if available, get another experienced eye to have a look for other options. Sometimes, what you have missed is the biggest part of the learning experience.

Back to Alan’s JWP. We went through this process and came up with 8 viable options for the tree. These were discussed and Alan decided what he wanted to do. Most options involved a front change and even a slight angle change. This is the front selected to best show off the root base, which can be improved when repotting, the trunk movement and make best use of a lower apex.

I put Alan to work removing old needles before he wired the tree.

This is the final image.

A few points: This tree has a long way to go and will required proper care to produce ramification. Tthe overall height of the tree have been lowered, after a wiring the image is far more ordered and pleasing to look at. The nebari, once repotted and cleared will now be wider and show more interesting lower trunk movement. The graft mark has been hidden by the lower branch. The apex, although light now, is leaning towards the front and will fill quickly.

The trunk line is still somewhat straight in the middle but less noticeable than before. Apex needs time to fill again and several branches will need to be extended to add interest to the overall image. A few branches at the lower level should have been removed but have been left to allow for a future option of a shohin tree. This was my personal preference on the day but this isn’t the best time of year to be removing 4/5 of the foliage on a JWP and watching it bleed to death. This is the lower area where the shohin option is still available down the road.

I think Alan’s major worry about the shohin option was the reaction of his wife when he took the tree home 🙂

I had a very enjoyable afternoon and Alan is one of the keenest members I have had the pleasure of spending time with. This was typical beginner material but was a great tool to be used to help Alan gain knowledge in Pine care and styling decisions. As usual, I always learn a little myself in the process. I even sent him home with homework 🙂

Escallonia case Study Update

I’ve just updated the Case Study Page looking at my Escallonia transition from 2001 to today.

Did a little work on it today. This is the before and after.

Juniper Cascade reworking

Michael came over to my place yesterday to finish off some work we were doing to his cascade Juniper. This tree had been neglected for a few years and a few branches were weak and one had died due to a strimmer incident!

This is it before any work.

The main task to complete was to get the branch structure sorted. There where a few poor branches that needed attention. The tip of the cascade was very weak and straight and this was removed and replaced by the branch above. I also wanted to compact the apex and bring it over the base of the tree more. No fine wiring was carried out. We where not looking to create a finished image. The continued recovery of the health of the tree was more important.

Michael’s not new to bonsai and was keen for his own ideas and views to discussed. This became a great tree to talk through. In many place branches require back budding and in a few other spots we need extension growth. This is the tree after our work.

A shari startiung at the base can be taken the length of the trunk connecting with a few other deadwood areas.

Depending on health and if a suitable pot can be found, it may be repotted into a more suitable pot next year. Here is a pot virtual.

and with foliage added. Perhaps a tad heavy but you get the idea.

Before, after and virtual all together.

Yew Work Schedule

I’m hoping to give this Yew it’s first styling this week. It has been grown from a cutting and spent 7 years in open ground and two in this pot. That’s ten years to get it to this point for first styling. I have done some basic carving on a few stumps and have thinned the foliage out last year so that the tree is prepared and ready for seeing wire for the first time. I only plan to do the basic structural work and hopefully someone will buy it next year and take it to the next stage.

Field Grown Yew

This little yew was grown from a cutting and spent about 7 years in open ground. It had been choked out by others growing around it and was the smallest of the 10 that where planted.

It got a very basic styling last year. This is it getting it’s second wiring to try and position the primary and secondary branches.

After 40 minutes wiring, weeding and plucking.

a slightly different angle.

It has a nice little wide root base but some cleaning will be required.

The deadwood will need to be refined to get rid of the current bulky look. Shari will be added down the line joining together some of the deadwood areas.