Rigida Juniper

Lifted this Rigida Juniper out to give it a weeding, the shame, the shame 🙂 I bought this last year and have horror stories ever since about how hard they are to care for. This one appears happy and I gave it a pinching on the branches that required it. The extension growth on the lower branches has been left to thicken the branches.

Rigeda Juniper Deadwood

I finally got around to cleaning up the deadwood on my Rigeda Juniper. I defined the limits of the live veins, tidied it up a little with a wire brush and treated with two coats of lime sulphur diluted to 1:5 ratio.

This was after one coat of Lime Sulphur.

 

and after the second coat. I reduced a long heavy branch at the bottom left and shortened a few branches in the apex that had reached the desired thickness.

This is the back of the tree. The deadwood needs a lot of refining here to improve a very flat boring area. However there is one branch at the back that isn’t connected to the main vein and I wanted to avoid working in this area. To be honest it’s hard to tell where the live vein is for this branch. It may have a slight crossover from the front. Any way, no rush. Tree will be left now for the rest of the year to get used to my garden and my care.

Juniperus Rigida

I hadn’t planned to buy another tree this weekend but there were three that caught my eye. I waited until the rest of the guys had had their pick and two of them had gone. The one I preferred however, was still there!!

I have never owned a Juniperus Rigida, Temple Juniper before and fancied this one. I have had numerous other varieties of juniper over the years and to be honest, I sold most of them.

This one presented a new challenge for me. I have to get to know the variety and it’s habits. Peter was very clear about a few issues with the variety and I took these on board. What attracted me to this one? Well, the deadwood is beautiful and mostly natural. It was once a much bigger tree but now the majority of the trees foliage comes from one live vein. There is a smaller vein running up the back of the tree but this looks weak. I’ll wait and see how it progresses.

What amazed me most about this tree was just how hard the deadwood is. Even at the base, what looks soft and rotted is actually hard. Peter says that’s one of the reasons that this variety is used by the Japanese. They tend to avoid the soft wood trees, always thinking to the future of the tree.

All I’m going to do with this one is clean up the deadwood and define just where the live vein is at the back of the tree. I may give it a little lime sulphur but really want to keep the natural colour of the wood. I’ll feed it strongly and pop it into my poly tunnel. Conditions in there should be perfect. No styling work is planned until I get to know the tree.